{"id":4937,"date":"2017-06-14T11:24:02","date_gmt":"2017-06-14T11:24:02","guid":{"rendered":"https:\/\/onmediationplatform.com\/javier-penafiel-agencia-en-porvenir-no-todos-visibles-nada-transparente\/"},"modified":"2017-06-14T11:24:02","modified_gmt":"2017-06-14T11:24:02","slug":"javier-penafiel-agencia-en-porvenir-no-todos-visibles-nada-transparente","status":"publish","type":"post","link":"https:\/\/onmediationplatform.com\/en\/javier-penafiel-agencia-en-porvenir-no-todos-visibles-nada-transparente\/","title":{"rendered":"Javier Pe\u00f1afiel: Agencia en porvenir \u2013 No todos visibles nada transparente"},"content":{"rendered":"

Agencia en porvenir \u2013 <\/em>Not All Visible Nothing Transparent
\n<\/em><\/h1>\n

Javier Pe\u00f1afiel <\/em><\/strong><\/h1>\n

 <\/p>\n

20.06\u201323.07.2017<\/p>\n

Arts Santa M\u00f2nica<\/a><\/p>\n

Espai Resid\u00e8ncia<\/p>\n

 <\/p>\n

Inverting the exhibitionism that often comes with a career retrospective, Agencia en porvenir<\/em><\/strong> formulates an exercise in rethinking and appropriating Javier Pe\u00f1afiel\u2019s work, in which essay and biography are inextricably intertwined, aiming to focus on the characteristic \u00abenigmas\u00bb that inhabit it. By means of these phrases, radical in their ambiguity and containing strong critical essays on contemporaneity, the exhibition reflects on the future before us.<\/p>\n

Agencia en porvenir<\/em><\/strong> thus becomes a research process, a space of exchange, personal relationships and collective actions that, choosing to inhabit inherited and still unaccomplished utopias, becomes a device free of productivity, willing to communicate without proselytism and wishing to advance future tasks, caring for the present and therefore refusing eternal postponement.<\/p>\n

After an immersion in the artist\u2019s work and a personalized negotiation, each curator turns into a \u00abwelcome intruder\u00bb and creates a specific proposal of action that interprets, updates and expands various aspects inherent to the labour of the artist. The exhibition thereby becomes a space of compilation and intersections, a shared and complicit protagonism with a polyphonic density that nullifies monologues and suggests different reading speeds.<\/p>\n

In Work, then, inaccessible to capital<\/em><\/strong>, Cl\u00e0udia Elies outlines several cartographies of productivity; taking a text by Javier Pe\u00f1afiel dedicated to Manel Clot as a starting point, Montse Pijoan proposes Pure coincidence<\/em><\/strong>, a reflection on curatorial practice maintaining a position of expectation; in The articulation\u2019s strength<\/em><\/strong>, Lourdes Soriano researches on the possibility of an other orality; Mother cloud<\/em><\/strong>, Rita Rakosnik\u2019s intervention, suggests an exercise in biographical illusion that gravitates towards two key concepts: tenderness and accumulation; lastly, Raquel Soto explores diverse mechanisms of dedramatization through Dolore<\/em><\/strong>.<\/p>\n

The publication, a new production similar to an artist’s book, designed and edited collaboratively by the artist himself and designer Reynaldo Costacurta, is conceived as a device that gathers the curatorial team\u2019s extended appropriations, as well as a selection of a glossary of enigmas, subsequently emerging as a fundamental part of the project. Not all glossary visible and not all transparent. In this way, the book is yet an exhibition material and the appropriations are the written exhibition, on future, on writing.<\/p>\n

In addition, the exhibit includes an activity with the title Never an absent audience again<\/em><\/strong> and the subtitle Tenderness and accumulation<\/em><\/strong>, linked to Cl\u00e0udia Elies and Rita Rakosnik\u2019s proposals of appropriation. The activity guarantees that the exhibit is an active scene, laying out a space for reflection that will count on the participation of guests with elective affinities; a sort of a zero row. The goal is to break with the idea of the event from its core with a table discussion or a sense cell where an intense dialogue with the curatorial work will take place; Javier Pe\u00f1afiel and Raquel Soto will introduce dedramatizing interruptions, and the listening of the sound landscape Binaural polyphony<\/em><\/strong>, by Lourdes Soriano, will be also explored.<\/p>\n

\"\"<\/p>\n

Scan this QR code to listen the Soundscape\u00a0Polifon\u00eda binaural<\/strong><\/em> by Lourdes Soriano Samper [the use of headphones is recommended to engage with the experience]<\/blockquote>\n

 <\/p>\n

Credits<\/strong><\/span><\/h2>\n

Organization: <\/strong>Arts Santa M\u00f3nica \/ On Mediation. <\/strong>Training seminar on Curatorial Theories and Practices (Art Globalization<\/strong> Interculturality (AGI)<\/strong>; Universitat de Barcelona).<\/p>\n

Artist: <\/strong>Javier Pe\u00f1afiel<\/p>\n

Curatorial Team: <\/strong>ON MEDIATION\/4 – Reynaldo Costacurta, Cl\u00e0udia Elies, Montse Pijoan, Rita Rakosnik, Lourdes Soriano, Raquel Soto<\/p>\n

Coordination: <\/strong>Christian Alonso, Olga Sureda<\/p>\n

Direction: <\/strong>Mart\u00ed Peran<\/p>\n

Publication Design: <\/strong>Reynaldo Costacurta<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Agencia en porvenir \u2013 Not All Visible Nothing Transparent Javier Pe\u00f1afiel   20.06\u201323.07.2017 Arts Santa M\u00f2nica Espai Resid\u00e8ncia   Inverting the exhibitionism that often comes with a career retrospective, Agencia en porvenir formulates an exerciseContinue Reading<\/a><\/p>\n","protected":false},"author":2,"featured_media":4522,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"Pe\u00f1afiel's 'Agencia en Porvenir' Art Exhibition Retrospective","_seopress_titles_desc":"Explore Javier Pe\u00f1afiel\u2019s career retrospective, Agencia en porvenir \u2013 a blend of biography, critical essays, and mysterious enigmas, reimagining future artistic expressions.","_seopress_robots_index":"","footnotes":""},"categories":[420,180],"tags":[],"class_list":["post-4937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-project-2","category-project"],"acf":[],"_links":{"self":[{"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/posts\/4937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/comments?post=4937"}],"version-history":[{"count":0,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/posts\/4937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/media\/4522"}],"wp:attachment":[{"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/media?parent=4937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/categories?post=4937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/onmediationplatform.com\/en\/wp-json\/wp\/v2\/tags?post=4937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}