{"id":4958,"date":"2019-01-28T14:36:30","date_gmt":"2019-01-28T14:36:30","guid":{"rendered":"https:\/\/onmediationplatform.com\/esc-out-deviations-of-artistic-practices-in-the-public-sphere\/"},"modified":"2019-01-28T14:36:30","modified_gmt":"2019-01-28T14:36:30","slug":"esc-out-deviations-of-artistic-practices-in-the-public-sphere","status":"publish","type":"post","link":"https:\/\/onmediationplatform.com\/en\/esc-out-deviations-of-artistic-practices-in-the-public-sphere\/","title":{"rendered":"ESC-OUT: deviations of artistic practices in the public sphere"},"content":{"rendered":"
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ESC-OUT: DEVIATIONS OF ARTISTIC PRACTICES IN THE PUBLIC SPHERE<\/a><\/h1>\n<\/header>\n
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Centre d’Art Contemporani de Barcelona – Fabra i Coats<\/span><\/strong><\/a><\/div>\n<\/div>\n

6 February – 12 March, 2019
\n<\/strong>Opening: Tuesday 5 February, 7 p.m.<\/strong><\/p>\n

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ESC-OUT: deviations of artistic practices in the public sphere<\/em>\u00a0is a project by the\u00a0ON MEDIATION\/6\u00a0<\/strong>curatorial team and is part of the collaboration between the\u00a0Contemporary Art Centre of Barcelona – Fabra i Coats<\/strong>\u00a0and\u00a0La Escocesa Open Factory for Analogical Creation<\/strong>.<\/p>\n

The project includes twelve proposals by resident artists at La Escocesa and has both an interdisciplinary vocation at the same time as an interinstitutional one. It also highlights the possible intersection between the different players in the artistic ecosystem.<\/p>\n

The work methodology aims to impact traditional mediation hierarchies, suggesting paths that enable artistic practices beyond the exhibition system and place them in the many outskirts of the art world.<\/p>\n

The pieces by the La Escocesa artists are diverted from the conventional path and, before they reach the exhibition centre, are scattered around the public sphere. This is where the artists and their creations take a position, either through performances that occupy the spaces or by placing objects in dissonant contexts.<\/p>\n

The ESC-OUT project combines a series of artistic activities that aim to open up spaces of dialogue and listening outside the museum. During these contact exercises, artwork and public test their resistance, in other words, their ability to stand together, physically and conceptually.<\/p>\n